CubanaDanza Repertoire

Son, Cha Cha Cha, Mambo

SON

Son is the predominant musical force in Cuba and is almost regarded as a symbol of the island, unifying its European and black culture. It reached Havana around 1909 and came to prominence after American companies started recording groups like Sexteto Habanero. Cuban radio hastened its spread from 1922, and today the greatest sonero of them all is Beny Moré a seminal bandleader beloved by Cubans, who performed through the 50s and 60s until his early death in 1963.

Son is a less energetic dance than salsa, performed with a partner, and is thought by many to be more elegant, classic and refined. It takes many forms and can be heard in the more traditional rustic groups or in the big brassy hard-edged Cuban timba. Sones (the plural of ‘son’) have a common form. Structurally and lyrically they comprise two parts: an opening verse or set of verses, followed by a section in which the sonero is answered by a chorus who sing the refrain. Sones, like rumba, are centred on the clave rhythm.

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CHA CHA CHA

This popular Cuban dance swept across Europe and America in the 1950s. The band Orquesta America is acknowledged as the creator of this enduring dance form. Their violinist Enrique Jorrin apparently composed the first chachachá “La Engañadora” after he watched Americans struggle with the complex Cuban dance rhythms. It was popularised by Cuban-led big bands such as Machito and Tito Puente. The rhythm can be detected in many songs today.

MAMBO

This style pre-empted the cha cha cha and developed out of the son groups of the time. The steps are often used in Cuban salsa dance moves.